Cut-In
Similar to a Cutaway, but shows a Close-Up shot of something visible in the main scene.
Cutaway
A shot of something other than the subject and away from the main scene. It is usually followed
by a cut back to the first shot and is useful for avoiding a jump cut when editing down a section
of dialogue, or editing together two separate takes.
Establishing Shot
Usually the first shot of a scene, this is used to establish the location and environment.
It can also be used to establish mood and give the audience visual clues regarding the time
(night/day,year) and the general situation. Because they need to provide a great deal of information,
Establishing Shots are usually Extreme Long Shots or Long Shots.
Master Shot
Term given to a single, uninterrupted shot of a scene. This shot can be the only shot used by a
director to cover a scene, or edited together with additional shots. While it’s commonly a Long or
Full Shot, a Master Shot can be a closer shot, or consist of multiple shot types if the camera is
moving throughout the scene.
Point of View Shot (POV)
Shot intended to mimic what a particular character in a scene is seeing. This puts the audience
directly into the head of the character, letting them experience their emotional state. Common
examples are of a character waking up, drifting into unconsciousness, or looking through a scope or
binoculars.
Reaction Shot
Shows a character’s reaction to the shot that has preceded it.
Reverse Angle Shot
A shot taken from an angle roughly 180 degrees opposite of the previous shot. The term is
commonly used during conversation, indicating a reverse Over-the-Shoulder Shot, for example.
Two Shot
A shot in which two subjects appear in the frame.
Similar to a Cutaway, but shows a Close-Up shot of something visible in the main scene.
Cutaway
A shot of something other than the subject and away from the main scene. It is usually followed
by a cut back to the first shot and is useful for avoiding a jump cut when editing down a section
of dialogue, or editing together two separate takes.
Establishing Shot
Usually the first shot of a scene, this is used to establish the location and environment.
It can also be used to establish mood and give the audience visual clues regarding the time
(night/day,year) and the general situation. Because they need to provide a great deal of information,
Establishing Shots are usually Extreme Long Shots or Long Shots.
Master Shot
Term given to a single, uninterrupted shot of a scene. This shot can be the only shot used by a
director to cover a scene, or edited together with additional shots. While it’s commonly a Long or
Full Shot, a Master Shot can be a closer shot, or consist of multiple shot types if the camera is
moving throughout the scene.
Point of View Shot (POV)
Shot intended to mimic what a particular character in a scene is seeing. This puts the audience
directly into the head of the character, letting them experience their emotional state. Common
examples are of a character waking up, drifting into unconsciousness, or looking through a scope or
binoculars.
Reaction Shot
Shows a character’s reaction to the shot that has preceded it.
Reverse Angle Shot
A shot taken from an angle roughly 180 degrees opposite of the previous shot. The term is
commonly used during conversation, indicating a reverse Over-the-Shoulder Shot, for example.
Two Shot
A shot in which two subjects appear in the frame.
Comments
Post a Comment